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ACCESO ABIERTO

Echoes of Fantasy and Reality

Edición:

Francisco Cuéllar Santiago ORCID, Vicente J. Pérez Valero ORCID

Resumen:

Since time immemorial, humanity has lived between two worlds: that of tangible reality and that of intangible fantasy. Echoes of fantasy and reality is a phrase that resonates deeply in the human experience, as it encapsulates the constant interaction, sometimes harmonious and sometimes conflictive, between what is and what could be. This duality has been a source of inspiration for artists, philosophers, scientists, and dreamers, who have attempted to decipher the boundaries and connections between both realms.

  • Fictions of the Shadow, Myth, And Transmedia / Francisco Cuéllar Santiago & Vicente J. Pérez Valero [10]
  • Alphabets For the Shadows. The Design of Three Alphabets to Talk to The Dead / Ángela Sánchez de Vera Torres [25]
  • Impossible Mazes: Transmedia Representations of the Fantastic Rhizome / Andreu Martínez Chaves [39]
  • From Garden to Farm, Techno-Exploitative Intentions of Techno Bros in Two of Liliana Colanzi’s Pastoral Horror Sci-Fi Short Stories / Miguel Ángel Albújar-Escuredo [49]
  • Archetypical Displacement of the Female Hero in Epic Fantasy. From Literary Sagas to Television / Antonio Castro Balbuena [62]
  • Beyond Reality; Transmedia Landscapes in Fictional Narrative / Núria Hernández Sellés & Marta Rivas Pérez [76]
  • The Influence of House of Leaves in Video Games / Víctor Gayoso Martínez [90]
  • Fairy Tales and Fantasy: Mapping the Chronotope of Olvidado Rey Gudú / Cristina Landín Jiménez [103]
  • Xenia: Homeric Hospitality in Frodo’s Journey / Marcela Naranjo Velásquez [116]
  • Archetypes of Old Age in Folk Horror: Beware of the Elders in Andy Fetscher’s Old People / Marta Miquel Baldellou [128]
  • Prey And the Hermeneutics of the Shadow: An Approach to The Introspective Fantastic / José Manuel Chico Morales [142]
  • The Witch in Folk Horror. An Analysis of Its Evolution from the Monster to the Feminist Icon Throughout the Films Akelarre (2020) And Hellbender (2021) / Elena Menéndez Requeno [155]
  • Unspeakable, the Art of Talking About Forbidden Topics Through Fantasy & Horror / Ben Manzanera [169]
  • The Notion of Myth in S. Langer and Its Relation to Contemporary Fictions / Deborah Rodríguez Rodríguez [184]
  • Asimov, Adams and the Teleolology Behind Computational Universes / Elvira Susín-Castán [193]
  • The Psychological Basis of Magical Transformations in the TV Series Charmed / Alberto Rodríguez Gómez [206]
  • Sorceresses (Dis)Empowered? An Analysis of the ‘Charmed’ Series / María Amparo Calabuig Puig & Augusto Almoguera Fernández [218]
  • A Visual Reflection on the Fantastic and Magical Realism: Fuseli’s Nightmare (1781) And Böcklin’s Triton and Nereid (1873) / Lukas Brock [233]
  • Deliverance: The Game Is Survival / Juan Agustín Mancebo Roca [248]
  • The Poetics of the Immense: Scale and Visual Metaphor in The Cinema of Denis Villeneuve / Leónidas Spinelli Capel [263]
  • The Long and Cinematic Shadow of the Vampire Nosferatu / Fran Mateu [278]

Biografía:

Francisco Cuéllar Santiago ORCID
Universidad de Salamanca
PhD, researcher and lecturer in the Painting Department of the Faculty of Fine Arts in Salamanca. He obtained his PhD in Fine Arts from the University of Granada in 2019. He has taught in the faculties of Fine Arts, Audiovisual Communication and Journalism. He has also taught audiovisual education at the Mathematical Research Centre (Mexico) belonging to the National Council for Science and Technology. He has published articles and scientific texts in high-impact indexed journals, such as Revista Comunicar, Revista ASRI (Arte y Sociedad) of the Rey Juan Carlos University, Revista VIVAT affiliated with the University of Alcalá de Henares, and Revista Comunicación of the Technological Institute of Costa Rica, and subsequently in the cultural associations Historia de los Sistemas Informativos and Forum Internacional de Comunicación y Relaciones Públicas (Forum XXI).
Vicente J. Pérez Valero ORCID
Miguel Hernández University
PhD, lecturer and researcher in the Department of Art and the Arts Research Centre of the Miguel Hernández University of Elche and member of the Massiva Research Group, which studies the interrelation between audiovisual arts and mass culture. He is also a guest researcher at the Groupe Interdisciplinaire de Recherche sur les Cultures et Arts en Mouvement (GIRCAM) of the Université Catholique de Louvain (UCL). He is currently developing his research activity in various audiovisual and artistic projects. He is President of the Editorial Committee and member of the Scientific Committee of the International Congress of Fantastic Genre, Audiovisuals and New Technologies. He teaches on the Bachelor's Degree in Audiovisual Communication and the Master's Degree in Art Project and Research.

ISBN:

978-84-1091-188-8

Colección:

DOI:

Páginas:

304

Tipo de libro:

Digital (soporte material)

Publicado:

02/03/2026

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